khush khitti se tehreer tak qalam aur pain ka safar
khush khitti se tehreer tak qalam aur pain ka safar, Pyaray bachcho! jis pain se aap aaj likhte hain, is tak pounchanay ke liye qalam ko aik taweel safar tay karna para hai. puranay zamane mein more ke pankh ko qalam bana kar bhoj patoon par likha jata tha .
bhoj aik darakht hai, jis ka tana chamri jaisi kayi jldon se bantaa hai. is tanay par se yeh patli patli jldin ahthyat ke sath utaar li jati theen aur un ko aik size ki pattiyon mein kaat liya jata tha. un patt_tiyon par tail mil diya jata tha. jab yeh chikni hojati theen to un ke oopar more ke pankh se banaye hue qalam se likha jata tha .
khush khitti se tehreer tak qalam aur pain ka safar, likhnay ke baad tehreer par siyahi mil di jati thi to tehreer ubhar aati thi aur is ko aasani se parha ja sakta tha .
phir kaghaz ijaad sun-hwa. ghaas phoos ko kayi roz tak pani mein bigho kar goondh liya jata tha aur is ki loi banali jati thi. is loi ko deewar par laip diya jata tha. jab yeh sookh jati thi to is ko utaar kar aik size mein kaat liya jata tha .
is par likhnay ke liye more pankh ki jagah par sir kunday ka qalam istemaal kya jane laga. likhnay ke liye roshnaye ijaad ki gayi. akhrot ke chilkay ko jala kar is mein sarson ka tail mila diya jata tha aur siyah roshnaye tayyar hojati thi. isi liye aaj tak log roshnaye ko siyahi kehte hain .
khush khitti se tehreer tak qalam aur pain ka safar, sir kunday ke qalam mein qat lagana bhi aik hunar tha. qalam ka qat sahih ho to tehreer khush khat hojati hai .
phir nib ijaad hogaye. qalam ko baar baar tarashna aur is mein qat lagana parta tha. nib ko taraashney ya is mein qat laganay ki zaroorat nahi thi. dono sooraton mein baar baar dawaat mein se roshnaye lena padtee thi, jis ki mushaqqat se bachney ke liye fountains pain ijaad kya gaya hai .
plastic ke is pain mein injunction ki terhan roshnaye bhrli jati thi aur yeh der tak chalta tha. is ko baar baar dawaat mein nahi dabona parta tha .
khush khitti se tehreer tak qalam aur pain ka safar, logon ko dosray teesray roz ya har haftay pain mein roshnaye bherna bhi mushaqqat ka kaam ho raha tha, is liye baal pain ijaad kya gaya. is mein roshnaye nahi bherna padtee thi. gaarhi roshnaye ki aik patli si pipe is ki tup se jari hoti thi. nib ki jagah par tup ne aakar khush khitti ka maamla hi khatam kardiya .
nib kayi qisam ke hwa karte thay. un mein qat banay hue hotay thay jo mukhtalif tahreeron ke liye mukhtalif terhan ke hotay thay. maslan angrezi likhnay ke liye jee ka nib istemaal kya jata tha, urdu likhnay ke liye beurli ka nib istemaal kya jata tha .
is zamane mein madaris mein jab imthehaan liya jata tha to tlba ko khush khitti ke number allag se diye jatay thay. baal pain mein qat nah honay ki wajah se bas likha jata hai, tehreer kaisi hi kyun nah ho .
khush khitti se tehreer tak qalam aur pain ka safar, qalam ki kookh mein se khattati ka janam hwa. roman Rasam alkht mein chothi panchwin sadi ewsi mein khattati ke zariye bible ko aur dasvin sadi mein quran deedaa Zaib bananay ki gharz se lafzon, ayaat o ahadees ko mukhtalif terhan ke qalmon se likh kar nazar fraib bananay ka silsila shuru hwa jo aaj tak jari hai. khattati aik aisa hunar hai jis ko hum qalam ka johar keh satke hain .
khush khitti se tehreer tak qalam aur pain ka safar, aik baat yaad rakhiye ke insaan ka khat is ki shakhsiyat ka ghammaz hota hai. aap ka khat jitna khoob soorat hoga, itni hi nkhri hui aap ki shakhsiyat hogi. is liye –apne khat par tawajah degiye aur usay behtar bananay ka azm kiijiye .
